Featured Collections

  • Dates: 1900-1920

    After the Genocide, foreign missionaries worked as doctors, nurses, educators, and engineers supporting Near East Relief, a humanitarian organization founded in response to the Genocide. Missionaries served in schools, hospitals, and orphanages. 

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  • Dates: 1910-1981

    The images in this collection depict events, banquets, and conventions of various organizations and churches, primarily Armenian ones. The photos are part of Digital Commonwealth, managed by the Boston Public Library, which provides public access to materials through a consortium of archives, libraries, museums, and historical societies across Massachusetts. 

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  • Dates: Ottoman Empire

    Original glass plate negatives of the family photographs of Karekin Encababian, of the Encababian Frères Photography Studio. The Encababians were an Armenian family of photographers from Sivas (present-day Turkey). The negatives give insight into the family’s story, the photographic process, and the photographer’s mastery. 

    An audio recording of an interview with Karekin Encababian’s children (1988) has been digitized and transcribed.

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  • Dates: 1910s to 1950s

    The collection captures notable locations and events in Constantinople (now Istanbul) before the Algen family’s move to New York City in 1920. Algen photographed buildings, monuments, street scenes, rural areas outside the city, nearby islands, and more intimate photographs of his family and friends. He also photographed battleships on the Bosporus strait during the Occupation of Constantinople around 1918 or 1919 and the visit of Emperor Charles I and Empress Zita to Constantinople in 1918.

    After the family’s move to New York City, he photographed his new home avidly: capturing street scenes, family events, vacations, outings, and picnics. He also documented activities in his music studio on Riverside Drive and invited musicians, friends, and family to sit for portraits. The entire collection comprises over 800 original glass plate and sheet film negatives.

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  • The collection consists of 1361 silver gelatin photographs (744 of which are available online) from the collection of the late Jack Torosian, a collector based in New York City, originally from Smyrna. The photographs show life in Soviet Armenia from 1923 to 1973, with the bulk from 1923 to 1973. 

    The photographs cover many aspects of life in Armenia during the Soviet era: factory work lifeconstruction of factory buildingsworkers’ housingeducationthe Young Pioneers(Vladimir Lenin All-Union Pioneer Organization), repatriates arriving from abroad and at work, and portraits of notable figures of the time in politics, military, and the arts and sciences.

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  • A. A. Bedikian album of Photographs of the Ottoman Empire

    Original vintage albumen prints documenting the 19th-century Ottoman Empire, mostly Constantinople, c. 1870s to 1900s. The photographs depict typical Orientalist subject matter such as architectural ruins like the Aqueduct of Valens, Walls of Constantinople, and ethnographic types. Photographs also include views of the Bosporus, Topkapı Palace, and views of Brusa, among others. Many of the photographs are from the studio of Armenian photographers Pascal Sebah (and the later studio iteration Sebah and Joaillier), the Abdullah Frères and Gülmez Frères. Other photographs include Basile Kargopoulo (Greek), Guillaume Berggren (Swedish), and Félix Bonfils (French). 

    Album of photographs, Peoples of the Ottoman Empire

    Album of photographs, Peoples of the Ottoman Empire 92 carte de visite albumen silver print photographs in an album. The photographs are by Abdullah Frères, Pascal Sebah, C. D. Philippides, Conrad (Russian), and some are by unknown photographers. The album belonged to Kate P. Williams of Mardin, Turkey, 1871. Album is comprised of ethno-photography studio portraits showing peoples of the Ottoman Empire in the 19th century: Arabs, Albanians, Armenians, Circassians, Egyptians, Greek, Gypsies [Roma], Kurds, Moslems [sic], Persians, Syrians, Turks, etc. as well as different social classes: beggars, water carriers, Maronites, priests, cameleers and more. Most photographs are 4 1/4 x 2 1/2″ in size. Portraits of historical figures include: Sultan Abdulaziz Sultan Mohammed Murad V Huseyin Avni Pasha Omar Pasha Latas Mehmed Emin Aali Pasha Tewodros II.

  • Photo collection of 5 generations of Renjilians/Giragossians, from Hagop Giragossian in Tarsus and the Renjilians of Bitias to their descendants. The bulk of the collection is comprised of photographs documenting the work of Rev. Mihran Renjilian, who worked at an Armenian refugee settlement in Kokkinia, Athens, Greece in the 1920-until World War II. The 231 photographs were donated by the great granddaughter of Rev. Mihran Renjilian, Jenna Lynn Cody.

    The collection is divided into three Series.

    Series I Family photographs of the Renjilian family of Bitias/ Musa Dagh/ Antioch, and the Giragossian family of Tarsus, 1890-1924

    Series II Rev. Mihran Renjilian and family in Kokkinia, Athens, Greece, 1924-1939

    Series III Renjilian family after WWII, immigration to the United States, and comtemporary photographs of the descendants of Mihran Renjilian

  • George Paragamian served in the Army Air Corps from 1942 to 1945, as a US Army Air Force photographer with the 9th Army Bomb Squads during World War II. He photographed the Allied storming of Europe at Normandy, France, on June 6, 1944- D Day, capturing the invasion from 3,000 feet. He captured the moment that the plane’s bombs hit their targets all over Europe for damage assessment. He received a Distinguished Air Medal for his participation in the Normandy landings in 1944. He also captured Bob Hope socializing with the troops and lots of group pictures of air crews posing in front of their airplanes. His photographs also capture the heavy destruction the bombs created over Western Europe, as well as haunting photographs of the liberation of Buchenwald Nazi concentration camp (viewer discretion is advised). Even before General Eisenhower entreated Occupation troops to document the camps with as many photographs as possible, George Paragamian’s camera recorded what he saw.

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Collections

Areas of Research Interest

  • Explore Refugee Photographs

    Photographs of Armenian refugees form one of the most poignant and historically significant portions of our collection, documenting the forced displacement of Armenians from their ancestral homeland beginning in 1915. These images capture the human face of one of the 20th century's first major refugee crises, showing families with their few possessions, overcrowded refugee camps, and the first tentative steps toward rebuilding lives in new countries. The photographs span from the immediate aftermath of the genocide through decades of resettlement, illustrating the long journey from survival to stability.

    These refugee photographs serve as both historical documentation and testament to human resilience, showing how Armenian families maintained their dignity and hope despite unimaginable loss. The images chronicle the international humanitarian response to the Armenian refugee crisis and document the establishment of the first diaspora communities that would become permanent homes for survivors and their descendants.

  • Explore Photographs of Orphans

    The photographs of Armenian orphans represent some of the most heart-wrenching yet inspiring images in our collection, documenting the fate of thousands of children who lost their families during the genocide and its aftermath. These images show children in orphanages established by international relief organizations, particularly in the Middle East and Greece, where young survivors were cared for and educated by dedicated missionaries and aid workers. The photographs capture both the trauma of loss and the remarkable resilience of children who would grow up to become the foundation of new Armenian communities worldwide.

    Many of these orphan photographs also document the success stories of children who, despite losing everything, went on to become prominent members of their adopted communities. These images serve as powerful reminders of the human cost of persecution while celebrating the strength of the human spirit and the importance of international humanitarian aid in preserving a generation of Armenian children who would carry their culture forward.

  • Explore Genocide-related Photographs

    Our genocide collection encompasses photographs that document the systematic persecution and extermination of Armenians in the Ottoman Empire beginning in 1915. These images include rare documentation of deportation marches, refugee camps, and the immediate aftermath of massacres, often taken at great personal risk by foreign diplomats, missionaries, and journalists who witnessed these events. The photographs serve as crucial historical evidence of the Armenian Genocide, providing visual testimony that complements survivor accounts and official documentation.

    These images also document the international response to the genocide, showing relief efforts, diplomatic interventions, and the work of organizations like Near East Relief in providing aid to survivors. The collection includes photographs of memorial services and early commemoration efforts, illustrating how the memory of the genocide became central to Armenian identity in the diaspora and how survivors worked to ensure that the world would not forget their tragedy.

  • Explore Commemorate Photographs

    Commemoration photographs capture over a century of Armenian efforts to remember the victims of the genocide and preserve their memory for future generations. These images document the evolution of commemoration practices, from intimate memorial services in the early diaspora communities to large-scale public demonstrations and official recognition ceremonies. The photographs show how April 24th became a sacred date for Armenians worldwide, marked by solemn processions, church services, and gatherings that unite Armenian communities across geographical and political boundaries.

    The collection also includes images of monument dedications, museum openings, and educational events that have helped bring Armenian history to broader public attention. These commemoration photographs illustrate how collective memory has been preserved and transmitted across generations, showing the central role that remembrance plays in maintaining Armenian identity and advocating for genocide recognition and justice.

  • Explore Photographs of notable Armenian figures

    Our collection of notable Armenian figures encompasses portraits and candid photographs of individuals who have made significant contributions to Armenian culture, politics, business, arts, and sciences both within Armenian communities and in the broader societies where they lived. These images range from formal studio portraits of early community leaders and clergy to candid shots of writers, artists, and activists who shaped Armenian intellectual life in the diaspora. The photographs document the remarkable achievements of Armenians who overcame the trauma of genocide and displacement to excel in their chosen fields.

    The collection includes images of both widely recognized figures and locally important community leaders whose contributions may have been less publicized but were crucial to the development of Armenian diaspora life. These photographs serve not only as biographical documentation but also as inspiration, showing how individual Armenians have carried forward their cultural heritage while making lasting contributions to human knowledge, creativity, and social progress.

  • Explore Work Photographs

    Work photographs provide invaluable documentation of how Armenians rebuilt their economic lives after displacement, showcasing the diverse occupations and industries where Armenian immigrants found success. These images capture Armenians in foundries and factories, behind the counters of grocery stores and restaurants, in carpentry workshops crafting furniture, and in the fields during agricultural work. The photographs illustrate the strong work ethic and entrepreneurial spirit that characterized Armenian communities, showing families working together to establish businesses that often became cornerstones of their neighborhoods.

    The collection also documents the evolution from manual labor to professional occupations as Armenian families achieved economic stability and could invest in education for their children. These work photographs tell the story of the American dream and immigrant success, while also preserving the memory of traditional Armenian crafts and trades that were transplanted to new countries and adapted to new economic conditions.

  • Explore Music Photographs of Unknown Armenians

    The photographs of unknown Armenians from before 1915 represent precious glimpses into a world that was largely destroyed by genocide, capturing the everyday life of Armenian communities in their ancestral homeland before the catastrophe that would scatter the nation across the globe. These images show families in traditional dress, merchants in their shops, students in schools, and communities gathered for religious and cultural celebrations in historic Armenia. Each photograph represents lives that were cut short or forever changed, making these anonymous faces particularly poignant symbols of loss.

    These pre-1915 photographs are among our most treasured possessions because they document a way of life that existed for centuries but was violently interrupted. The images provide crucial visual evidence of Armenian culture, architecture, customs, and daily life in the Ottoman Empire, serving as a baseline for understanding what was lost and what diaspora communities have worked to preserve and reconstruct in their new homes.

  • Explore Dance Photographs

    Dance photographs capture the central role that traditional Armenian folk dances have played in preserving cultural identity and community cohesion throughout the diaspora. These images show dancers in traditional costumes performing at cultural festivals, church celebrations, and community gatherings, illustrating how dance has served as a living bridge connecting diaspora Armenians to their ancestral culture. The photographs document both the preservation of ancient dances like the kochari and bar, as well as the adaptation of these traditions to new settings and audiences.

    The collection includes images spanning from intimate family celebrations to large-scale cultural performances, showing how dance has evolved from purely traditional expressions to staged performances that educate broader audiences about Armenian culture. These photographs demonstrate the vital role that cultural organizations and dance groups have played in maintaining Armenian traditions across generations, ensuring that this essential element of Armenian heritage continues to thrive in diaspora communities worldwide.

  • Explore Music Photographs

    Music photographs document the rich musical heritage of Armenian communities, from traditional folk music to classical compositions and contemporary adaptations. These images capture musicians playing traditional instruments like the oud, kanun, and duduk, as well as Armenian singers and composers who have contributed to both Armenian and international musical traditions. The photographs show how music has served as both a form of cultural preservation and a means of artistic expression that transcends linguistic and cultural boundaries.

    The collection includes images of church choirs, folk music ensembles, and individual musicians who have kept Armenian musical traditions alive while also innovating and adapting to new musical styles and technologies. These photographs illustrate music's unique power to evoke emotional connections to Armenian heritage, serving as a universal language that has helped maintain cultural bonds across the global Armenian diaspora and introduce Armenian culture to wider audiences.